Showing posts with label textile. Show all posts
Showing posts with label textile. Show all posts

Monday, May 8, 2017

Monday Maker - Lava Living

Hello Kirsty, 

Thank you for sharing in our BrisStyler interview. Now, let's get to know this label of yours, Lava Living.

Were you creative as a child & do you come from a creative family?

Very much so to both questions. Art was always my favourite subject, and where I excelled. My parents were very cultured people, free thinking and they mixed in creative circles. My father originally trained as a signwriter and he kept a sketchbook full of fantastic sketches and animations. I wish I knew what happened to that sketchbook.

Both of my parents were mad about classical music and opera which was always playing in our little house in Norman Park, with Dad pretending to be the conductor. He eventually became an amateur opera singer. And he also became a talented quilt maker later in life.

Mum was an avid reader and became a freelance writer for Mode Magazine & Queensland Homes and my brother is a talented furniture designer and maker.

So how would you describe your work Kirsty?

Modern shibori textile design to suit the sophisticated bohemian.

                                                                                          
Would you say your work has evolved since you started?

In the beginning when I started shibori and indigo dyeing, I was so captivated by it that I would lose sleep at night thinking about my next creative session. I would be up in the morning at the indigo vat before I'd even had a cup of tea!

Although I had some very early successes I also had many failures and lessons learnt by mistakes.
I now have developed a repertoire of techniques and designs that really work depending on the textile I am working with and the product I am making. I still lose sleep thinking about new designs, but I guess that proves my passion for it.

How did you start selling on Etsy?

I opened my Etsy shop in 2012 when I was creating screen-printed hand-made paper and some jewellery, but I only listed a few things and didn't commit to it or maintain it. It wasn't until early 2016 when I felt I had more of an artistic identity, that I transformed the Lava shop with new branding and shibori collections on Etsy and social media.                         
 
Where does your inspiration come from?                                                  

I'm inspired by the natural world and people who stand up for environmental protection and equality in all living creatures. People like Jane Goodall and the Dianne Fossey. Ethi-cool design brands inspire me as well, such as @miomojo_italia.

I've recently discovered the art of Shepard Fairy @obeygiant who does amazing screen prints for amplifierfoundation.org "art machine for social change"

How is your work eco friendly?

Often I buy commercial end of rolls and remnant fabric from Reverse Garbage and fabric stores along with upcycling bed and table linen from op shops. I even reuse shibori scraps.




















What is your workspace like?

Under my house is my 'work cave' ( it's cool and there is not much natural light) this is where I do all my shibori and sewing. Plus I have a small showroom.

Out the back is where I do the indigo dyeing. The vat sit inside the opening of a small garden shed and I have a table set up in front of it under a canopy of palm trees. 

This is where I dip and dye and oxidise my shibori bundles. Then rinse, unbind, untie, unpick and hang on the line.

What is your favourite thing to make?

Currently it is a collection of cross body tote bags made from 'Australian Super Cotton'. A new and unique textile, grown, spun and woven in Australia.
























Where do you see your creative journey taking you in the next 12 months?

I'm looking forward to experimenting more with new shibori techniques and I'd like fill up my calendar with more events. I'm also planning on improving my branding image. So much to do, so little time.

Do you have a top tip to others wanting to break into the creative market?

Always trust your instincts.

























What's a typical creative day for you?

It varies, for example I usually do all my shibori over a few days until I have a decent collection. After washing, drying and ironing all the pieces, I then spend a few days back in the cave designing, cutting and sewing the pieces into a variety of items.

Do you have a favourite quote?

'Always follow the will of Allah, but don't forget to tie up your camels.' - Unknown 

What kind of music do you like to listen to while you work?

I like 'SBS Chill' or 'Buddha Radio'.

Do you have a favourite handmade item that you have bought?

I have a Japanese linen jacket created by Gillit of Massuri. 

And where can we find you online?


























How did you find out about BrisStyle?

From another BrisStyle member I met at a market. 

Why did you become a member?

To connect with other makers, gain support, and be exposed to further opportunities.
  
Why do you craft?

I studied art casually for approx. 16 years at the BIA and experimented with many art forms, but I felt most alive and engaged when I did a workshop and a couple of semester blocks in Sculpture.
I love working with my hands and to see something transform before my eyes into a piece of art is truly rewarding.

I see craft as something that brings art into your everyday life rather than being something to view and admire once in a while.

Thanks so much Kirsty, it was lovely getting to know you a bit more and we look forward to seeing your beautiful creations a bit more in the future.
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Monday, April 24, 2017

Tricia Smout

Today we interview long time artist Tricia Smout.

Were you creative as a child & do you come from a creative family?

My mother knitted and sewed in any spare time she had. Since I was a little girl, I have enjoyed playing with paper, yarns and fabric, and I made my own clothes in high school and university. 

After a career of science research and teaching, and then raising a family, I finally got back to creating artwork thirty years ago.

How would you describe your work?

I love working with all types of textiles … fibres, paper, yarns and fabrics. The tactile qualities of the materials give me tremendous pleasure, and I also delight in playing with different colour combinations.

My ‘grande passion’ is calligraphy and lettering, and in addition to legible calligraphy commissions, I use letters, words and symbols as the inspiration to create innovative hangings, artist books, sculptures and wearable art using a wide range of techniques.


I had a fabulous year as the 2012 Artist-in-Residence at Brisbane Botanic Gardens creating many collaborative works … www.triciasmout.blogspot.com.au.

How has your work evolved since you started?

My original calligraphy work was only on paper or card. In 1993 I did a weekend workshop with famous English calligrapher Pat Russell, and this inspired me to put lettering on to fabric. 

I now try to include lettering in as many different forms as possible …bookmaking, embroidery, appliqué, patchwork, papermaking, felting, crochet, knitting and collage.

How did you start selling online?

I haven’t managed to set up an Etsy shop yet, but I have details of items for sale on my websitewww.triciasmout.com.au.

Who or what inspires you?

When I decide to enter an exhibition or a competition, I find the theme or title often gives me the impetus I need to start jotting down ideas. 

Pat Russell’s tapestries and embroideries were my initial inspiration. 

I enjoy seeing how other artists incorporate lettering in their work. Denise Lach’s “Calligraphy: A Book of Contemporary Inspiration” is my current favourite.

 

Do you reduce, reuse, recycle as part of your creative process?  

As much as possible I do try to reuse things in my stash leftover from other projects, or things that others have discarded. 

Can you describe your workspace?

Now that my children have left home, I have bits and pieces in each of their bedrooms. Sadly I am not good at putting things away, so any vacant table spaces quickly fill up, and I have to resort to working on the kitchen table!

What is your favourite thing to make?

I need variety, so I enter as many competitions and exhibitions as I can to give me a creative challenge. 

I also really enjoy making multiples of my small books, which is very relaxing to do at night while watching TV documentaries. 

Where do you see your creative journey taking you in the next 12 months?

For the past two years, three friends and I have staged our “Shifting Seasons” exhibition in August at Richard Randall Studio, and we are doing it again this year.

I will continue entering competitions and exhibitions.

What’s your top tip to others wanting to break into the creative market?

Persistence and self-belief … and luck!

Describe your typical creative day?

It varies al lot. Some days I attend a craft group meeting, other days I work quietly by myself at home.

 Do you have a favourite quote?

“All the flowers of all the tomorrows are in the seeds of today.” Willa Hoey

“All glory comes from daring to begin.” Eugene F. Ware

Do you like to listen to Music or watch TV while creating?

I prefer to work quietly when creating one-off artworks, but I watch TV documentaries when I’m mass-producing multiples of my merchandise items.

What is your favourite handmade item that you have bought?

A commissioned embroidered letter “S” on handmade paper by Pat Russell. 

And two calligraphy artworks from Donald Jackson (official calligrapher to the Queen)

Where can we find you online?
My merchandise items are on my website -


I also have my work for sale at -
Scattered Arts in Camp Hill
The Hut in Samford
Aspire at Paddington
Redcliffe Art Gallery Shop and various craft fairs. 

How long have you been a member of BrisStyle?

I joined in 2012.

How did you find out about BrisStyle?

I first saw the BrisStyle girls at a “Finders Keepers“ market, but in those days you had to have an Etsy shop to be a member of BrisStyle. 

When I attended a talk at a local library in 2012 I found out I could now join.

Why did you become a member?

I hoped to be able to reach a wider audience who would buy my merchandise.

Why do you craft?

I need craft to keep me sane. I find it relaxing, and I get a real buzz when someone says they like my work.

Monday, March 13, 2017

Textile Artisan

Today we meet Jenny from Textile Artisan.

Hi Jenny

Do you come from a creative family? 

Yes. My Dad received a Soldier’s Settler Block in the Blue Mountains after WW2. Both he and my Mother worked tirelessly to create everything that they needed from a home to poultry sheds etc, and Mum made everything that she could on a treadle sewing machine as there was no power. 

Years later after her children had left home my Mother enrolled in ceramics at East Sydney Tech. and travelled 3hrs per day for 2yrs to become a potter.


And how would you describe your work?

I make practical items using natural fibres and natural dyes. 

I hope that the items will retain their use for a long time and contribute to sustainable living.

Has your work evolved since you started?

The change has been in the size and type of loom that I use. I started with an Inkle loom that I made for myself when living 150km NW of Bourke NSW.

Then my Mother purchased a floor loom for me that a retired Englishman had made. It had been advertised in the local paper. He had been involved in the textile industry in the UK. I was living outside Bathurst at the time and came in contact with a weaver living in a railway cottage in Bathurst. That was Irma Binder who was from Europe and a truly classical weaver and my first weaving contact.


How did you start selling online?

I built a website a couple of years ago and also had a presence on Etsy. Unfortunately I haven’t had the time to keep these sites up to date. I intend to build an online selling point.

What inspires you?

The ability to create an item from the simplest elements. 

To spin, dye and weave fabric then design and cut the pieces to construct a garment or accessory. 

Or to weave something that comes off the loom ready to wear, after finishing.


And do you reduce, reuse, recycle as part of your creative process?  

Yes. I make items from patches left over from cutting. 

I also weave right to the end of warps and use the extra pieces for making up. I use up as much as I can.

Can you describe your studio for us?

My studio is the main bedroom of our retirement unit. My loom just fits in with some storage shelving around two walls and the rest in the WIR, I have a beautiful bushland view in two directions. My studio is part of my living space.


Do you have a favourite thing to make?

I don’t have a favourite. Every item is unique.

And how did your business name come about?

Textile was a given but I was so glad that Artisan was available as it means a skilled worker in the handmade.

Where do you see your creative journey taking you in the next 12 months? 

Due to several reasons I have not been weaving for 3 years so the next 12 months is my focused return to weaving and online marketing.

What’s your top tip to others wanting to break into the handmade/creative market?

Be honest in making your own product of your best quality. 

What is a typical creative day for you? 

I am a carer for my blind/deaf partner so I try to have studio time in the afternoons and evenings. 
I often spin in the evenings

Dyeing sessions are governed by the availability of material e.g. I have grown Coreopsis and collected the blossom to store in the freezer until I have enough for a dye bath (or too much for the freezer). I have a large stand of Goldenrod (another ancient dye source) that will bring on a big dying effort when it flowers. 


Do you have a favourite quote?    

Never give up!

What is your favourite handmade item that you have bought?

A beautiful end delivery shuttle. 

Where can we find you online?

www.facebook.com/textileartisan1


How long have you been a member of BrisStyle?  

Part of a year.

Why did you become a member? 

To be part of a vibrant marketing group.


Why do you craft?

There is something inside me that reaches far back in time that encourages me to live a simple life and to make, with integrity, what I can, from natural fibres and dyes. 

It is probably in my genes and in my upbringing. 
I feel compelled to work with my hands and I am happy about it.

Well thank you Jenny for sharing your thoughts with us.